FOREWORD
PART ONE
“BLOOD LINES” AND EARLY HISTORY, 1958-1981
- EARLIEST YEARS
- FAMILY
- ZHANG XIAOGANG’S TEACHER, LIN LING
- LIFE AS AN “EDUCATED YOUTH”
- SICHUAN ACADEMY OF FINE ARTS AND THE “SCAR ART” OF HIS FELLOW STUDENTS
- “THE FLOCK OF GOATS WANDERING INTO THE DISTANCE”
PART TWO
A MODERNIST GROWING UP, 1982-1991
- RETURNING TO KUNMING
- “WHITE GHOSTS”
- THE “NEW FIGURATIVES”
- “ON THE OTHER SHORE”
- THE EXISTENCE OF REALITY
PART THREE
RETURN TO “BLOOD LINES”, 1992-1996
- INTELLECTUAL CONFLICTS
- PRACTICE IN EUROPE
- LOOKING BACK
- “BIG FAMILY”
POSTSCRIPT
前 言
第一部分 “血缘”与历史 1958—1981
- 出生的日子
- 家庭
- 老师林聆
- 知青生活
- 川美与同学的“伤痕美术”
- “羊群远去”
第二部分 一个现代主义者的成长1982—1991
- 回到昆明
- “白色幽灵”
- “新具像”
- “彼岸时期”
- 真实的存在
第三部分 “血缘”的复归1992—1996
- 思想冲突
- 欧洲的温习
- 回眸
- “大家庭”
后 记