Contents

FOREWORD

PART ONE

“BLOOD LINES” AND EARLY HISTORY, 1958-1981

  • EARLIEST YEARS
  • FAMILY
  • ZHANG XIAOGANG’S TEACHER, LIN LING
  • LIFE AS AN “EDUCATED YOUTH”
  • SICHUAN ACADEMY OF FINE ARTS AND THE “SCAR ART” OF HIS FELLOW STUDENTS
  • “THE FLOCK OF GOATS WANDERING INTO THE DISTANCE”

PART TWO

A MODERNIST GROWING UP, 1982-1991

  • RETURNING TO KUNMING
  • “WHITE GHOSTS”
  • THE “NEW FIGURATIVES”
  • “ON THE OTHER SHORE”
  • THE EXISTENCE OF REALITY

PART THREE

RETURN TO “BLOOD LINES”, 1992-1996

  • INTELLECTUAL CONFLICTS
  • PRACTICE IN EUROPE
  • LOOKING BACK
  • “BIG FAMILY”

POSTSCRIPT

第一部分 “血缘”与历史 1958—1981

  • 出生的日子
  • 家庭
  • 老师林聆
  • 知青生活
  • 川美与同学的“伤痕美术”
  • “羊群远去”

第二部分 一个现代主义者的成长1982—1991

  • 回到昆明
  • “白色幽灵”
  • “新具像”
  • “彼岸时期”
  • 真实的存在

第三部分 “血缘”的复归1992—1996

  • 思想冲突
  • 欧洲的温习
  • 回眸
  • “大家庭”

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